artist | researcher | selector

cv / resume

ZARA JULIUS
artist | researcher | selector
selected curriculum vitae

EDUCATION 

2021  University of Witwatersrand, Johannesburg
          MAFA Masters in Fine Arts by Research and Practice (with distinction 92%)
          Dissertation: ‘Ripples, Rhythms & Rapture: Sounding spiritual technologies as marronage’
          Supervisor: Donna Kukama
2016
  Market Photo Workshop, Johannesburg South Africa
          Intermediate Photography Course 
2014  University of Cape Town, Cape Town, South Africa
          Honors in Social Anthropology (with distinction 84%)
Dissertation: ‘Rupture through Rapture: An ethnographic study of worship localities and
religious mobilities in Johannesburg’s inner city’
Supervisor: Prof. Francis Nyamnjoh
2010  St Mary’s School, Waverley 

RESIDENCIES, WORKSHOPS & FELLOWSHIPS

2023  Pressing Matter, Tropenmuseum, Museum Volkenkunde & Rijksakadamie van Beeldende Kunsten, Netherlands (June — ongoing)
2023  Think from Black: a Lexicon, Practising Refusal Collective & Centre for the Study of Race, Gender & Class -
Johannesburg, South Africa (26 - 28 January)
2022  TAKING CARE: Weltmuseum Wien - Vienna, Austria (June & July)
2022  Sound Art Lab - Struer, Denmark (February - May)
2018
  Escuela Incierta: Oculturas (research residency), Lugar a Dudas, Santiago de Cali, Colombia (18 June - 31 July)
2015  Escuela Internacional de Cine y Television (EICTV), Cuba
          Documentary Film Workshop with Enrique Colina

SELECTED EXHIBITIONS

Public performances
2022 
Frequencies of Care w/ Tina Campt & Zara Julius, Global Blackness Summer School ‘22 / Black Geographies of Care,
Centre for the Study of Race, Gender & Class, Johannesburg, South Africa (26 November)
2022 Loophole of Retreat, Simone Leigh Venice 2022, Fondazione Giorgio Cinni, Venice, Italy (6 - 9 October
2021 
UBUNTU: A Lucid Dream, The Library of the Things We Forgot To Remember, Johannesburg & Palais de Tokyo, Paris (27 Nov)
2021 Tina Campt & Friends: Simone Leigh, Arthur Jafa, Victoria Collis-Buthelezi, Danielle Bowler & Nomusa Makhubu,
Johannesburg, South Africa (29 Oct)
2021 Maroon’s Rapture Procession, Johannesburg, South Africa (11 March) 
2020 Rapture Botanica, Johannesburg, South Africa (23 March)

Exhibitions & screenings
2023
  ‘Whatever You Throw at the Sea…”, solo exhibition, Weltmuseum Wien, Austria (25 April ‘23 - 2 April ‘24)
2023  Scenorama eThekwini, KZNSA Gallery, Durban, South Africa (5 May ’23 - 4 June ‘24)
2022  Scenorama, curated by Gabi Ngcobo, Javett Art Centre, Pretoria, South Africa (April ’22 - March ‘23)
2022  SAL Project Space #2, Sound Art Lab, Struer, Denmark (15 June - 15 July)
2021 Tentacularity, Knotting and World-Making, group exhibition, POOL (20 October - 17 November)
2021 FAMILY MATTERS TRILOGY (documentary screenings), LAPA, Johannesburg, South Africa (2 October) 
2021 Generation NOW, group exhibition, Galerie Eigenham, Weimar, Germany (16 June - 3 July)
2019  Photographer Unknown, group exhibition, FotoZA Gallery, Johannesburg, South Africa (6 December 2018 - 31 January 2019
2018  Extraña Posesión, group exhibition, Lugar a Dudas, Santiago de Cali, Colombia (19 July)
2017  PEER, group exhibition, SMAC Gallery, Cape Town, South Africa (28 October–18 November) 
2017  Screening, “MIXED SPACE”, I/Mages of Tomorrow Conference: Envisioning black & POC futures, disabled futures, queer &
trans futures, feminist futures, Centre for Feminist Research, Goldsmiths College, University of London, (3 June)
2017  Marked, group exhibition, Eclectica Print Gallery, Cape Town, South Africa (4–26 May) 
2017  Bilder de Zeitgeschehens: Images of Current Affairs, Press Photography and Archives in Africa, group exhibition,
Basel University Library,Switzerland (28 April–27 August)

Festivals
2021 
Goethe-Institut Kultursymposium Weimar, Family Matters: The Canelands, Germany (June) 
2018 National Arts Festival, Grahamstown, South Africa (1 & 6 July)
2017 Red Bull Amaphiko Film Festival: ‘Film for Good’, Johannesburg, South Africa (28 October)
2017 THE LABS @ CHALE WOTE, Terra Alta, Accra, Ghana (17 August)
2016 PROCESO DE ERROR 3rd International Festival of Experimental Video, Valparaíso, Chile (31 May–4 June)

CONFERENCE PAPERS, INVITED TALKS & LECTURES

2022 Zara Julius, Performance Lecture, To Where Are We Beautifully Going? Vol. IV, Skånes Konstförening, Malmö, Sweden (15 October)
2022 Zara Julius in conversation w/ Vuyiswa Xekatwane, Traversing Waters: a listening session, Javett-UP Art Centre, Pretoria (18 Sept)
2022 Zara Julius & Samira Farah, When art meets music: Reflections on Black Archiving Zoom discussion,
Arts House Melbourne, Australia (20 July)
2022 Zara Julius, Panelist, BREATHE! Erasmus+ Project: The Return of Cultural Property, Kulturhaus Brotfabrik, Austria (8 July)
2022 
Zara Julius, Performance Lecture, Smashing World(s) Festival: Cultural Practices for re/Imagining & un/Learning Vocabularies ,
Belvedere 21, Vienna (3 July)
2022 Zara Julius, Artist Talk, WeltMuseum Wien, Austria (14 June)
2022 
Zara Julius, Guest Lecture, ‘Archives & Refusal’, Cultural Transformations seminar, Faculty of Arts, Aarhus University,
Denmark (29 April)
2021 Tina Campt & Friends, Centre for Race Gender & Class, University of Johannesburg, South Africa (29 October)
2021 Tumi Mogorosi & Zara Julius, DeAesthetic: Constructions of the Black, Javett Art Centre, Pretoria (16 October)
2021 Zara Julius & Tina Campt, A BLACK GAZE, Immersive listening & collective reading, Remote Reading Room,
Het Nieuwe Instituut, Rotterdam (2nd September)
2020 Zara Julius, Virtual Guest Lecture, “Archives & Fugitivity”, University of the Underground, Holland [Online]. (27 November)
2020 Panelist, “FREQUENCIES OF BLACKNESS - A listening session w/ Tina Campt, Zara Julius, Jenn Nkiru & Alexander Weheliye”,
The Sojourner Project Black Studies Mobile Academy & the Practicing Refusal Collective (PR Collective)[Online], Visual Identities
in Art and Design Research Centre (VIAD), University of Johannesburg (UJ); The Black Visualities Initiative at Brown University,
& the Center for the Study of Race, Indigeneity, and Transnational Migration, Yale University. (20 November)
2020 Zara Julius, Digital Performance Lecture, “Spiritual Technologies & Sonic Tidalectics”,
Fak’ugesi African Digital Innovation Festival [Online]. (18 & 19 November)
2020 Panelist, “Archives and the Frequency of Fugitivity” at “”Sonic As Cultural Resistance”, Reframing Africa 2020, [Online]
Wits School of Arts, Wits History Workshop, Market Photo Workshop, University of Colorado at Boulder,
USA and Carleton University, Canada,(24 - 25 October)
2020  “Rapture as Marronage: sonic vignettes and south-south technological interventions” at "Dialogues with Dust: Quarantine
Marathon”
, Graduate School of Architecture (unit 18 & unit 13), University of Johannesburg, Johannesburg, 2 April 2020
2019  “PROCLAMATION 73: Curating Beyond the Timeline”, Dept. of History of Art, University of Witwatersrand, Johannesburg,
South Africa, (12 April)
2019  In Conversation: Sam Nhlengethwa’s personal vinyl collection with Zara Julius,
Book Week, Goodman Gallery, Johannesburg, 4 April 2019
2018  Zara Julius, Panelist, “Archiving an Illegitimate Aristocracy” at “Re-Reading the Portrait”,
Black Portraiture[s] IV: The Colour of Silence, Harvard University, Cambridge, Massachusetts, USA, 23-25 March 2018
2017  Zara Julius, Panelist, “The Future of Filmmaking”, Red Bull Amaphiko Film Festival,
Johannesburg, South Africa, 29 October 2017
2017  Zara Julius, Panelist, “Women and post-apartheid film”, Tshisimani Centre for Activist Education, Cape Town, 4-5 August 2017
2017  Zara Julius, Panelist, “Against a Mixed Race Future”, I/Mages of Tomorrow Conference: Envisioning black & POC futures,
disabled futures, queer & trans futures, feminist futures, Centre for Feminist Research, Goldsmiths College,
University of London, 3 June 2017
2017  Zara Julius, Guest Lecturer, Dept. of Anthropology, Sol Plaatje University, “Race, Religion and Reggaeton: Representations of
syncretic religions, music and blackness in the Caribbean”, 8 – 12 May 2017
2017  Zara Julius, Panelist, “Mixed Roots Stories: ‘Visual Culture: Mixed Bodies/ Mixed Spaces“, Critical Mixed Race Studies
Conference: Explorations in Trans (gender, gressions, migrations, racial),
University of Southern California, 24 February 2017
2015  Zara Julius, Artist Talk, “Enraptured Imaginaries: Religious mobilities and moralities in downtown Johannesburg”,
David Krut Bookstore, Johannesburg, November 2015 

PERSONAL CURATORIAL & RESEARCH PROJECTS

2017 - ongoing  KONJO & Talking Drum podcast
2019 RAPTURE INSTITUTE, The Point of Order, Wits University, Johannesburg, South Africa (1 - 20 October 2019)
2018  PROCLAMATION 73, circular gallery, Durban Art Gallery, Durban, South Africa (10 December 2018 – 15 February 2019)

PROFESSIONAL EXPERIENCE

2022
Goethe Project Space, grant jury (October)
2022 Gallo Vault Sessions: a podcast collaboration with Gallo Music & KONJO, writer, producer & researcher
2021 Lecturer - 2nd year Fine Art, Performativity & Sonic Practices (Listening to The Archive, Sounding the Repertoire),
Wits School of Fine Art, Johannesburg (April - July)
2021  Theatre playlisting - National Arts Festival
          Another Kind of Dying (Dir. Amy Wilson)
2021 Content producer, script development & back-stage host,
         Bassline I AM HOME SABC Africa Day Special Broadcast
2020 Corporate Research Consultant Time Study & Systems Transition Study,
         Capitec & Mercantile Bank (November & December)
         Mercantile Bank, Johannesburg
2019 Goethe Project Space, grant jury (October)
2017 Videographer, Editor (December)
         ‘SINKING’ film by Lhola Amira (SMAC Gallery) 
2017  External examiner, Unit 10 Graduate School of Architecture University of Johannesburg
          Museum of African Design, Johannesburg (October)
2016 Co-Director, Executive Producer, Co-Writer, Editor (November – January)
           ‘Optimus Usimende’ film by Francois Knoetze
2014 Tutor, AXL1400F, ‘Words, Deeds, Bones and Things’, Dr. Divine Fu. Dept. of
           Anthropology, University of Cape Town 
2014 Video art & art talks programme curator & coordinator, Cape Town Art Fair 
ongoing Freelance arts & culture writer
            publications include: IAM Africa | Cape Town Art Fair Gazette, Mail & Guardian, OkayAfrica, HERRI

SELECTED PUBLICATIONS

2023  “Quiet Conversations: Machete” with Z. Julius, C. Mejía Moreno & H. Tayob, Architectures of the South, Elipses Journal [Issue 4],
The Wits Schools of the Arts, University of the Witwatersrand, South Africa (March 2023)
2022  “A Reflection: Listening as Re/membering”, Z. Julius, Landwalks Across Palestine and South Africa,
The Palestinian Museum, Birzeit & University of Cape Town School of Architecture (November 2022)
2021  “A Call for Renewed Internationalism: A sonic liberation front”, Z. Julius, HERRI, Issue #5 (June 2021)
2021 "Enraptured Breath: The sonic spirit of Azania", Z. Julius, Indaba Is Fanzine, Brownswood Recordings (March 2021)
2020 “(Whose) Vinyl in (Which) Africa? A Zoom Fiasco", Z. Julius, HERRI Issue #4 (7 August 2020)
2016  Julius, Z. (2016). On photography in social movements. In: Pathways to Free Education. Vol. 2. 1st ed. [ebook]. 24-25.
2016  #theopening Catalogue, Greatmore Studios, Cape Town

AWARDS

2020 Pro Helvetia Breathing Space project grant
2019 Art Research Africa A W Mellon Postgraduate Bursary award
2018 Goethe Institut Project Space (GPS) 2018 project grant
2015  De Villiers Scholarship award
2014  A W Mellon Fellowship
2014  National Research Foundation of South Africa postgraduate scholarship
2013  Deans merit list, University of Cape Town
2011  Entrance bursary award, University of Cape Town
2010  Fujifilm Southern Africa Photographic Awards, 1st prize